Monday, April 16, 2012

Hand-made Sea Glass Chandelier (as a room theme)

From the moment i set foot into our all-satin eggshell, inside-of-a-shoebox design inspired diningroom it was a no-brainer to expand the color theme of the northwestern tones from the beach glass chandelier...

i decided to flip its colors when applying them to the room:


ivory
green
ivory
light blue
dark brown

The ivory chair rail and powder-blue wainscoating is difficult to see in the image above...though the image to the left alludes to its weathered finish (used natural flower for that - got the idea of "antiquing" from MTV's Jackass).
To finish the composition, I tiled some of the left-over sea glass into the window sils...discrete, but it worked.

Monday, April 9, 2012

Salvaged Wood Slab and Copper Coffee Table

I’ve owned my share of coffee tables over the years – metal, glass, plywood, etc. – the usual temporary furniture catalog fodder…it was about time for something a bit more personal.  For almost a year, my daily commute to work would take me past a small urban tree recycle operation in the empty lot behind a self-storage complex, where amidst the mountains of bark dust and ready-to-use fire wood, propped up against a shipping container, towered a couple of ponderosa pine slabs the size of pick-up trucks.  After finally mustering up the nerve to ask, I was finally able to negotiate a single 500 pound, 9 by 3½ foot, 3 inch thick slab into my garage – where it laid, dormant, drying over the next half year.
Insert about a month of sawing, planning, sanding, gilding, sheathing, hammering and finishing here…
Salvaged elements of rustic beauty and heavy industry fuse to create this commanding coffee table.  Living in a port city, I intentionally drew inspiration from an era of majestic ocean-liners from centuries gone by; with highly polished wooden decks and hand-hammered copper boiler plates.  This contrast in materials led to a uniquely distinctive centerpiece; especially as the late afternoon sun strikes the table’s copper-clad underbelly bathing the living room floor in a warm glow of red and orange hues.

A single 6 by 3½ to 4 foot 3 inch thick ponderosa pine slab forms the rustic table top – its 2 cut sides are sanded smooth to counter the tree’s 2 live edges; an almost 1½ inch thick bark.  During the drying period, the slab sustained a dozen lateral cracks, which I filled and gilded with copper leaf prior to finishing its surface. 
Complete with the illusion of concealing a copper vein beneath its skin, the entire slab was coated (unstained) with 7 layers of polyurethane, not only to protect, but to extenuate the wood’s natural knots and burly grain.  At 16 inches tall, the four legged base boasts over 32 square feet of salvaged copper plating, 16 feet of 1 inch copper piping and a half pound of attaching copper  hardware – amassing, with the top, a staggering 400 pounds.

Monday, April 2, 2012

Photoshop Tutorial #1: Vintage Photography

Did you ever what to know how to turn an everyday photograph into one of those cool technicolor images from the 1960s - without using that super retro app from the iphone store? Read on...

 From this...                                                           ...to this!




  • Select a regular digitized photograph. 
  • Duplicate the layer (Ctrl J).
    Layers:
    Background: original image | Background copy
  • Select the Background copy layer and change its blend mode to soft light.
  • Select the Background copy layer and apply a noise filter (Filter>Noise>Add Noise…). 
  • In the Filter pop-up window, set the slider around 3 to 9% for desired graininess, select uniform distribution - OK. 
  • Create a solid color layer (click the icon - black & white circle - at the bottom of the layers window - choose solid color, or select: Layer>New Fill Layer>Solid Color - OK). 
  • A new color picker window appears -create a dark blue color (i.e. hex# 070035).

    Layers
    : Background: original image | Background copy | Color Fill1
  • Select the color fill 1 layer and change its blend mode to exclusion. 
  • Create a levels layer (click the icon - black & white circle -at the bottom of the layers window -choose levels…, or select: Layer>New Adjustment Layer>Levels… - OK). 
  • On the black graph in the adjustments window, move the black and white pointers slightly inwards by about 20 to 30 points.
    Layers: Background: original image | Background copy | Color Fill1 | Levels1
  • Create a solid color layer (click the icon -black & white circle -at the bottom of the layers window -choose solid color, or select: Layer>New Fill Layer>Solid Color - OK).
  • A new color picker window appears -create a mauve color (i.e. hex# DE9B90).
    Layers: Background: original image | Background copy | Color Fill1 | Levels1 |Color Fill2
  • Select the color fill 2 layer and change its blend mode to soft light, opacity 80%.
  • Create a solid color layer (click the icon -black & white circle - at the bottom of the layers window - choose solid color, or select: Layer>New Fill Layer>Solid Color - OK).
  • A new color picker window appears - create a rose color (i.e. hex# FEDFEB).
    Layers: Background: original image | Background copy | Color Fill1 | Levels1 |Color Fill2 | Color Fill3
  • Select the color fill 3 layer and change its blend mode to soft light, opacity 50%.
  • Create a solid color layer (click the icon - black & white circle - at the bottom of the layers window - choose solid color, or select: Layer>New Fill Layer>Solid Color - OK).
  • A new color picker window appears - create a dark blue color (i.e. hex# 070035).
    Layers: Background: original image | Background copy | Color Fill1 | Levels1 |Color Fill2 | Color Fill3 | Color Fill4
  • Select the color fill 4 layer and change its blend mode to exclusion.
  • Select the Background layer and duplicate it (Ctrl J) Background copy 2 layer.
  • Move the Background copy 2 layer to the top of the layer stack.
    Layers: Background: original image | Background copy | Color Fill1 | Levels1 |
    Color Fill2 | Color Fill3 | Color Fill4 | Background copy2
  • Select the Background copy 2 layer and change its blend mode to soft light.
  • Select the Background layer and duplicate it (Ctrl J) Background copy 3 layer and hide the original.
    Layers: Background: original image (hidden) | Background copy3 | Background copy | Color Fill1 | Levels1 | Color Fill2 | Color Fill3 | Color Fill4 | Background copy2
  • Now to add a vignette (darkened edges around the photo)
  • Select the Background copy 3 layer and apply a lens correction filter (Filter>Lens Correction …).
  • In the Filter pop-up window, select custom tab.
  • In the vignette section, move the amount slider into the darken side and the midpoint slider into the lighten side for the desired effect - OK.

Monday, March 26, 2012

Screen Series: #3 Zak, Nick & Aaron (Ghost Adventures)

Third one in the series - all three signed the image under their respective caricatures! Great bunch of guys - sent back some autographed promo-shots and studio contact info...

They're on the Travel Channel - http://www.travelchannel.com/tv-shows/ghost-adventures - entertaining show...

...now, off to get a frame.

Wednesday, March 7, 2012

Hand-made Sea Glass Chandelier (additional shots)

I've decided to publish some more shots of my  sea glass chandelier - the image for last month's post does not really portray some of the finer details of the found glass...
I am fascinated by the glass from old Coca Cola bottles - a very distinctive shade of iced teal - I haven't found a similar hue in any of the other shards that I've collected over the years.  These pieces often retain a hint of the company's iconic logo raised on the glass, as well as intact bottle neck "rings" - those from other bottles generally break in the frequently rough seas of the northern Pacific.

I mentioned that occasionally the sea glass pieces display softened remnants of identifying markings - yet many contemporary bottles have labels and designs printed on their surfaces. I rarely have the fortune to come across these washed-out impressions - though my chandelier does contain a handful (like the face on the white wine shard on the left) - creepy...

Friday, February 17, 2012

Screen Series: #2 Mike Rowe (Dirty Jobs)

As I mentioned earlier, I am planning on continuing  on expanding my collection of celebrity-autographed caricatures (done by me)...
Mike Rowe was next...it took a while to get the image back signed - very busy guy with Dirty Jobs and all those narrative gigs over at the Discovery Channel...


Again, the signed version of the image is framed and on a wall at home.

Friday, February 3, 2012

Hand-made Sea Glass Chandelier

After having stared at one too many $1295 rental apartment excuses for a ceiling light from the generic big-box store, I decided to create something different.  
What started as a solitary weekend walk along the tide-swept pebble shores of the Puget Sound, discerning the occasional ocean-tumbled glass gem, is turning into a unique lighting collection; hand-crafted from recycled chandeliers, adorned with colorful vintage sea glass, seasoned driftwood and salt-corroded metals that the Pacific decided to spew forth.

This one is suspended by 5 chains bolted to my dining-room ceiling...
Rooted in the opulence of old-world design, the strict use of reclaimed materials and hardware embodies the essence of recycling and sustainability.  Inspiration drawn from the crystal-clad Victorian and Georgian chandeliers from centuries gone by, my sea glass lighting collection provides a distinctive centerpiece to any room for friends and family alike to admire.  The smooth multi-colored strands of glass, with their old-world charm, project playful shapes in direct sunlight or cast a warm glow when lit in the evening.  

Each chandelier is custom made to order, bound to become a family heirloom.
This eight armed (E27 40W bulbs) chandelier features two tiers of interwoven strands of sea glass spanning a continuous spectrum of colors ranging from a deep cola brown, via a variety of greens and whites, to a regal cobalt blue.  At two feet tall with an eleven inch radius, the fixture boasts over 8,750 hand-selected pieces of sea glass amassing a staggering seventy pounds, all supported by solid brass hardware and chains, securely anchoring it to the ceiling.